Essay on Relationships in Antony and Cleopatra -- Antony Cleopatra Ess

Destructive Power Relationships in Antony and Cleopatra Antony and Cleopatras love is not really about love at all. Their fundamental interaction can only be considered a sort of immature lust-power human relationship. Their relationship is shallow, self-centered, irresponsible and hurtful. Their attraction for each other centers around infatuation and a sort of egoistic rush that they are more important than the world. moreover as a man or woman of today may attempt to control the desires of his or her intended, Cleopatra wants to manipulate Antony into wanting her Cleopatra. See where he is, whos with him, what he doesI did not send you if you find him sad,Say I am dancing if in mirth, reportThat I am explosive sick. Quick, and return. Romeo and Juliets relationship was sweet and beyond life. Cleopatra and Antonys relationship is a very mercenary one (we do not pull down know if Cleopatra applied the asp viper because she wanted to be with Antony in death or if she simply c ould not stand being left with Caesar in life). G.W. Knight of the Aesthetic schooling of critics says of Cleopatra that she is a metaphysical, not moral, good--a good of totality. She is good in the same cosmic way one might say life is good, or the earthly concern is good, not because it contains no suffering or bad times, but because from restropect even these experiences are worth having. Her perfection flowers from totality, not exclusion. You end up passion Cleopatra in this play because she is so robust and sensual and unpredicable and capable of so many strong emotions. Here she bursts out at the messager after he reported that Antony had married Cleopatra. What say you? Hence,Horrible villain or Ill eliminate thine eyesLike balls before me Ill ... ...and the first stoneDrop in my neck as it determines, soDissolve my life the next Caesarion pommelTill by degreees the memory of my womb,Together with my brave Egyptians all,By the discandying of this pelleted thrustLie graveless, till the flies and gnats of NileHave buried them for prey The script of death hath raught him. . . . let Patient Octavia plough thy visage upWith her prepard nails. . . . fill our bowls once moreLets mock the midnight bell. A 1759 iterate about a performance of this play stated that it did not face to give ye Audience any great pleasure or take a crap any applause. I can imagine that. It is not one of the trump of Shakespeares plays, but it does give you a fair share of history, tragedy, and poetry. I call up this play would be perfect for a more modern reinterpretation analyzing destructive power relationships.