'Bollywood Museum-Architectural Thesis\r'

'BOLLYWOOD MUSEUM, MUMBAI The museum for Indian movie theater referred to as BOLLYWOOD MUSEUM, is an initiative by Ministry of painting and b thoroughfarecasting, Govt. of India to celebrate 100 age of Indian Cinema. The aim of project is to put right the people and future generations intimately the ring of our picture industry and enlighten them about the people who make our country the largest cinema industry of world. As per the brief from the ministry, the major exhibits in the museum would be: Artefacts, equipments like Cameras, Editing, & ampere; Recording Machines, Projectors etc. Costumes, Photographs and other strong are proposed to be kept in the Museum. The properties, dresses, sets, tapes, vintage equipment, posters, copies of important exposures, prints, promotional leaflets, growing equipment books, biographies, sound tracks, trailers, transparencies, Cinema magazines, statistics c all everywhereing film distribution etc. to be displayed in a systematic arra ngement portraying the history in a chronological manner, will be procured by donations and in any case by purchase.There will also be a Museum shop which will care the copies/photographs etc. of the vintage items, books and booklets on the buy the farm of noted film makers and mementoes. The site elect for the project is in the premises of the engage division mangleice on Pedder road in south Mumbai. The site consists of animated onwardice makes, a depository library grammatical construction in destroy condition which would be replaced by a new mental synthesis in the practice and a carbon old construction k nown as Gulshan Mahal. The rejuvenation of this edifice skeletons the major architectural concern for the project.This grammatical construction awarded with urban hereditary pattern award in 2001 was formly used as a pellet set and now would form the main component of the Gordian design. The building would be rejuvenated with an active station in front of it. The design of the museum was evolved from the staple unit of film industry… the reel. The form of the building was inspired from the spooling film over the reels. The circulation of the museum aims at giving the visitor a complete avenue of the Indian cinema industry from payoff to people, evolution to back. The route of circulation defines the shape of building.The dynamic form of the building makes it ‘filmy’. The design process started with appointment of the programmes to be introduced in the building. The programme was divided into three major categories based on function named as museum, commercial and library. The museum building would digest the administrative areas and the exhibits of the museum. The new library building is planned to replace the alive library building which was in dilapidated condition. The commercial area was planned to house a souvenier shop, cafeteria and a restaurant.All the three areas were made approachable finished the same nub from the drop off point. The drop off point amidst the three building mazyes was think to give the visitor a flavor of apparently entering the building from the car. The design of the complex was made to frame the Gulshan Mahal in the new building, as viewed from the drop off point. The visitor is given a stately welcome in the museum building with a grand atrium with a skylight on top which introduces light inside and and then visually adds to the volume of the quadriceps. The museum galleries were designed as per the given requirement of the exhibit by the ministry.The exhibits were divided as per their use in industry and its impact. Apart from the given requirements, or so new galleries were introduced. The circulation of the building starts with the introduction gallery and with each changing exhibit area, the direct rises upto 1m and hence viewing the different stages of production of a movie, the visitor reaches the higher take aim of building exhibiting the costumes and props used in the industry. from where it moves to the other part of the building finished a connecting bridge exhibiting the life and whole kit and boodle pf Dadasaheb Phulke known as the father of the Indian Cinema.The similar concept of climb levels with the exhibits sacrifice for the subsequent exhibition of the changing trends in the movies. Reaching the higher level, the visitor passes through the gallery exhibiting the life and works of film makers which connects the library building to the commercial building. iterate the concept of rising levels, with music and dance galleries, the visitor reaches back to the museum complex through the gallery of life of actors/actresses. The highest level houses the screening area which intend to screen the obsolete and special movies or may be used while film festivals. he route of the museum acts like the film spooling over the three reels of musum, library and commercial building and and then defines the overall shape of the museum. The rising levels, connecting bridges give it its dynamic shape. The rally plaza in front of the Gulshan Mahal is intend to add activity in the complex making it more lively and thus gives a welcoming approach to the Urban Heritage building which has lost its magnificence over time. This building shall be contain as a live shooting set which would act as a museum for the equipments used during shooting.An informal seating space in the plaza is planned to denotation the groups educating them about the place and the industry. The concept after part the planning of Bollywood museum is to create a form that relates to the industry it is exhibiting with interesting twists and turns which adhere to our masala Indian Movies. ——————————————†[ 1 ]. Source: NATIONAL MUSEUM OF Indian CINEMA Ministry of Information & Broadcasting brass of India Films Division Complex 24-Dr. G. Deshmukh Marg, Mumbai-400 026. Email : [email&#clx;protected] org / website : www. filmsdivision. org\r\n'